ANDY FOWLIE
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Returning  to  Reine

9/24/2017

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In the spring of this year I made my first visit to the Lofoten area of Norway, having seen hundreds and thousands of great images shared from there by other photographers. It promised to be a magical destination, and it absolutely lived up to expectations, providing me with a number of good candidates for a portfolio of my best work. On that trip I was accompanied by two photographer friends, Mika Grönroos and Pasi Kaunisto, and we stayed in the beautiful fishing village of Reine, pictured below.
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Dreamy Reine - a twilight panorama of this fishing village on a rainy evening
Reine was a beautiful location in itself, but it was also a great base for exploring the surroundings, although we did not have to travel far to see more spectacular scenes. Hamnøy, pictured below, was my personal favourite of the locations we photographed.
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Beautiful Hamnøy - the distinctive red rorbuer (Fishermans huts) on a rocky outcrop in front of the mountains on a cloudy morning before sunrise.
The journey from Reine to Hamnøy is a massive 3.2km... and on the way you have to pass through the village of Sakrisøy which is also an unbelievably scenic destination, especially if you climb the nearby hill which has some kind of weather station or other installation on top of it as we did on one morning after the sunrise. While Hamnøy was my favourite location at the time, in the proceeding months I started to feel that the panorama images of Sakrisøy may have been my most successful images.
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A contextual portrait of my red Audi A5 - fantastic morning light at Sakrisøy with the snow covered mountain peaks framing the fjord behind
Since leaving Reine in March, I have been very eager to return, and plan to do so on multiple occasions, experiencing the changes in scenery brought by the progression of the seasons... this week I will be making the first of those return visits. As I write this I am on the Wasaline ferry from Vaasa in Finland to Umea in Sweden, I will spend the night in Umea before driving about 600km tomorrow to Bodo in Norway in order to get another ferry to Moskenes... which is just a few kilometres from Reine, once again my base for the trip.

There are many different ways to get to Reine, but none of them are particularly fast or easy. In March we journeyed by car-train overnight from the capital area of Finland to Kolari (about 1000km north) before driving for 7-8 hours to Bjerkvik near to the Norwegian border and then driving the remaining distance (a further 6 hours or so) the following day. This time I decided to test the car-ferry-car-ferry-car route, there is also a possibility to fly to Lofoten (from most starting points this requires two flights, one to get to Norway and then a domestic flight to Lofoten) but then you are more limited on the amount of equipment you take with you and have to hire a car. Whichever way you choose, getting there is quite an operation.

On this trip the weather promises* to be a bit clearer than it was in March, which is both a blessing and a curse. I really hope to get a chance to shoot some starscapes and to be lucky with the appearance of the northern lights as well as seeing some dramatic sunrises and sunsets, but I might miss the moody scenes that overcast skies can provide, making for potentially interesting shooting even outside the key times around sunrise and sunset.

I will remain in Norway at least until 2nd October, and maybe longer, and will keep my blog updated on my progress.

Andy

* although I recently heard a rumour that weather forecasts are sometimes not 100% correct...
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UtÖ  in  Autumn

9/18/2017

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This week's trip was to the remote island of Utö in the Archipelago Sea off the south-west coast of Finland, my friend Mika Grönroos joined me once again as we continued our bird photography efforts.

Utö is the southern-most inhabited part of the territory of Finland and is accessible by a daily boat service which departs from Pernas. The journey takes 4-5 hours depending on how many stops the boat makes on its way through the archipelago (the route includes Nötö, Aspö, Jurmo and sometimes Berghamn).
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The scenery of the surrounding area is typical for the archipelago with many small islands and protruding rocks, sometimes populated with sea birds, sometimes hosting signs to mark  traffic routes or impart other helpful information to help ships and boats pass through these waters.
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Sunset on the rocks, near to Utö. An opportunistic telephoto landscape shot. Canon 1DX mark ii, 800mm f5.6L IS USM, 1/1600s, f5.6, iso 500
This was my third visit to Utö (I was there in October 2016 and May 2017) and it starts to be a familiar place for me. The days there fall into a predictable rhythm where the search for birds to photograph is only interrupted by certain regular events, those being breakfast in the Utö hotel, lunch in the Utö hotel, the inevitable onset of darkness and the occasional need to shelter from unpleasant weather.

On each of my visits to Utö there has been a noticeable population of other bird enthusiasts and photographers on the island at the same time and on this trip it was no different. Up to a certain point this small community of similarly focused people can be very helpful as news of any interesting sightings quickly spreads, but when the amount of people gets too large it can also become counter-productive. If you have carefully and stealthily positioned yourself, over a number of minutes, to a shadowy area within sight of rowan tree in the hope that a red-breasted flycatcher might show itself on the outer branches with the light at the best angle then it is slightly disappointing when a party of 15-20 approaches that tree from the other direction engaged in loud discussions... it might as well have been a herd of elephants or a brass band passing through, any small birds within 50 metres quickly exit the area.

With most bird photography efforts, pure luck and the lottery of circumstances play a huge part in what opportunities you do and do not get. There is also a major role for skill and technique in the activity, those determine how well you notice the opportunities that are there and how well you manage to capture those.

Raptor   rapture

One pleasant surprise was the variety of birds of prey that we were able to see during our time in Utö. A population of at least 10 common kestrels were conducting merciless and continuous hunting operations against small insects such as Bush Crickets during the entirety of our stay. The kestrel is such a beautiful bird and has a very distinctive hunting style, hovering perfectly in place about ten metres above the ground before swooping down to grab it's prey. The kestrels were a constant presence around the island, including in the village, and it was possible to observe and photograph them every few minutes when out and about with the camera.
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A common kestrel in flight. Canon 1DX mark ii, 800mm f5.6L IS USM, 1/2500s, f5.6, iso 400
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Beware of the cat! A kestrel perches on a village roof, unfazed by the feline wind vane. Canon 1DX mark ii, 800mm f5.6L IS USM, 1/1600s, f5.6, iso 1000, +1.67 EV exposure compensation
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A kestrel on a tv antenna, eating it's evening snack, shot against the light to create a silhouette. Canon 1DX mark ii, 800mm f5.6L IS USM, 1/2500s, f5.6, iso 100.
In addition to the ubiquitous kestrels, the small bird population was being regularly terrorised by a sparrowhawk (or by a number of sparrowhawks) which would periodically arrive (and depart again) at very high speed when you were least expecting it, creating opportunities and challenges in equal measure for the photographer. Many times this did not result in successful pictures, partly because the needed exposure and focus settings for photographing small birds against darker backgrounds are totally different to those needed to photograph flying hawks against the afternoon sky... the bird is not usually kind enough to wait around while you adjust the settings. Over time you can get extremely fast at making the needed modifications, but in many cases the optimal moment does not last long enough for even the most rapid of adjustments. For a couple of days I kept messing up any sparrowhawk opportunities but finally I got some rewards as the week went on.
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Sparrowhawk in flight. Canon 1DX mark ii, 800mm f5.6L IS USM, 1/2000s, f5.6, iso 1600, +3EV exposure compensation
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Sparrowhawk in flight. Canon 1DX mark ii, 800mm f5.6L IS USM, 1/2000s, f5.6, iso 2500, +3EV exposure compensation
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Sparrowhawk in flight. Canon 1DX mark ii, 800mm f5.6L IS USM, 1/1600s, f5.6, iso 320, +1EV exposure compensation
Although the kestrel and sparrowhawk were the most regular bird of prey sightings, they were far from the only ones. On the first day we saw and photographed a marsh harrier patrolling the eastern meadow and also photographed a hobby and a distant merlin in the same area. As the week went on we could add further raptors to the list, a northern goshawk, a honey buzzard and a common buzzard were all photographed by the second afternoon. In the middle of the week we had some additional excitement as the wind direction changed and provided us with a predator rush hour on Wednesday afternoon. The ever present kestrels and sparrowhawks increased their activity level and were also joined by some new arrivals, at least two female hen harriers and perhaps most interestingly a male pallid harrier. During this period it was quite usual for another raptor to arrive while you were in the middle of photographing the first one... it was quite amazing to have such intensive activity when the practice of observing these animals frequently involves a great deal of waiting around for something to happen.
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A hobby patrols the skies above the meadow. Canon 1DX mark ii, 800mm f5.6L IS USM, 1/3200s, f5.6, iso 800, +1.33EV exposure compensation
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A hen harrier preparing to pounce on an unsuspecting rodent. Canon 1DX mark ii, 800mm f5.6L IS USM, 1/1600s, f5.6, iso 200
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A pallid harrier flies overhead. Canon 1DX mark ii, 800mm f5.6L IS USM, 1/1600s, f5.6, iso 640, +2EV exposure compensation
The final chapter in our raptor rapture was to come on Thursday afternoon as we walked around the rocky mounds at the eastern end of the island. Fortune smiled upon us for a few minutes as a white tailed eagle flew confidently overhead on it's way towards the neighbouring islands. The white tailed eagle is Finland's biggest bird with a wing span of well over 2 metres and it makes for an imposing sight whenever you are lucky enough to see one. This specimen was not yet old enough to have the pure white tail feathers of an elderly individual and I am not sure that I can say that it is very beautiful at this stage in its life... but it is certainly impressive.
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A white tailed eagle flies overhead. Canon 1DX mark ii, 800mm f5.6L IS USM, 1/1600s, f5.6, iso 1000, +3EV exposure compensation
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A white tailed eagle flies overhead. Canon 1DX mark ii, 800mm f5.6L IS USM, 1/1600s, f5.6, iso 1250, +3EV exposure compensation

Something  a   bit smaller

While the eagles and hawks are always very exciting to discover, there is also a lot to interest observers  when paying attention to birds of a somewhat smaller size. While the white tailed eagle might weigh 6 kilos or more, the tiny goldcrest weighs in at 6 grams or less!

These cute little warblers, the smallest bird in Finland, were present in good numbers on Utö and their distinctive high pitched chirping could be heard all over the island. Just because you could hear the goldcrests doesn't mean you could easily find and photograph them, they were extremely cautious and secretive, staying hidden inside bushes and trees and always on the move, nervously relocating themselves every couple of seconds. This movement was the key to finally being able to see them... but also made it very difficult to keep them in the viewfinder long enough to get a good shot.
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A tiny goldcrest. Cute! Canon 1DX mark ii, 800mm f5.6L IS USM, 1/1600s, f5.6, iso 2500, +0.33EV exposure compensation
There were many other small birds present on the island, including chaffinches, siskins, spotted flycatchers, pied flycatchers, willow warblers, northern wheatears, whinchats, blue tits and red backed shrikes... but there were also three that I was particularly hoping to photograph - redstart, red breasted flycatcher and yellow browed warbler. I have photographed redstarts earlier this year but from some distance away and the quality was poor, they are a very cool looking bird and I wanted to have a suitable picture. The red breasted flycatcher and yellow browed warbler were both species that I had never photographed before... and unfortunately that remains the case after the trip. Maybe next time...

With redstarts however I had better luck, managing to photograph them on a number of occasions and certainly improving on the shots I had of these beautiful creatures earlier. A really good shot of the more special looking male redstart remains elusive... as does the even better looking black redstart... but still I am pleased to get pictures of female or juvenile redstarts. 
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A redstart perches on a pine tree. Canon 1DX mark ii, 800mm f5.6L IS USM, 1/3200s, f5.6, iso 640
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A redstart hides in a leafy bush. Canon 1DX mark ii, 800mm f5.6L IS USM, 1/1600s, f5.6, iso 8000, +2EV exposure compensation
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A redstart perches in a small tree. Canon 1DX mark ii, 800mm f5.6L IS USM, 1/1600s, f5.6, iso 1000, +1.33EV exposure compensation

Starry  starry  night

Finally on our last night in Utö, the skies were clear and we also had energy to go out once more after doing the usual 15-20 thousand steps during the day. This combination had not been in place on any of the previous 5 nights... so out we went for some night time shooting. The equipment and settings needed for such pursuits is rather different to that which is required for bird photography. The exposure times for single shots could be tens of seconds instead of less than a thousandth of a second and the focal length of the lens 12-14mm instead of 500-1000mm.

On Utö, away from the artificial light pollution of major habitations, the first thing that you notice is the night sky. Billions upon billions of points of light, clearly visible with the naked eye.. and beautiful beyond belief. Wow. At this time of year a decent amount of the milky way galaxy is also visible and potentially provides additional interest for photographs.
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The Milky Way above the village. Sony A7Rii, Sony FE 12-24mmf4 at 12mm, 2.5s, f4, iso 8000
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The night sky above the "Bönehuset" prayer house. SonyA7Rii, Sony FE 12-24mm f4 at 12mm, 8s, f4, iso 2500
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Space, the final frontier... a magical backdrop for Utö lighthouse. Sony A7Rii, Zeiss Batis 25mm f2, 20s, f2, iso 2000

Final  Thoughts

My third visit to Utö was just as memorable as my previous visits, with each visit having delivered a bit of a different experience. It was once again very comfortable to be on the island, the local residents were all most welcoming despite seeing their peaceful home invaded on a regular basis by "outsiders" and there is always a good sense of fellowship among the visiting bird enthusiasts. New species (within 2017) for the trip were Merlin, Honey Buzzard, Common Crossbill, Hen Harrier and Pallid Harrier, taking my 2017 total to 157.

I would like to extend special thanks to Jorma Tenovuo for his part in making me feel especially welcome as well as keeping Mika and I up to date with any emerging bird sightings during our visit and providing expert judgements on bird identification (e.g. whether or not the Pallid Harrier that we photographed was a Pallid Harrier, a Hen Harrier or a hybrid between the two - currently and possibly finally, it is a Pallid Harrier). Jorma keeps an excellent blog (written in Finnish) detailing the various species that have been sighted in Utö from week to week, for anyone that is interested it can be found here.

Final thanks go to Mika Grönroos for another good trip!

Andy
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Chasing birdies...

9/7/2017

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In order to photograph birds and animals, and especially to capture just the right moment when an animal is in motion, it is a great benefit to have lightning fast autofocus, a very long and fast lens, and a very high frame rate camera. With huge skill and great luck (neither of which I could claim to have) you can work around these requirements in some situations to some extent, but this in my opinion is one area of photography where the equipment that you use makes a very big difference. My landscape equipment, despite being exceptional in other ways, did not tick any of those boxes... so at the very end of 2016 I purchased a camera which was optimised for nature photography and a large and heavy telephoto lens.

I have always, from a young age, been interested in wildlife, but have mostly pursued that interest by watching nature programmes on television (I have delighted in watching a large proportion of the enormous body of work produced by David Attenborough) rather than experiencing it directly myself. It would be fair to say that this approach leads me to know rather more about the celebrities of the animal world rather than the birds and animals that you might find in your garden.

As my interest in photography has grown, so has my interest in the everyday wildlife that can be seen around us all (if we bother to look). In order to encourage me to learn more about birds I started a project to try and photograph 100 different bird species in 2017, armed with my new equipment and a book about the birds I might find in Finland (Suomen Linnut tunnistusopas by Lasse J. Laine) that I received as a Christmas present.

My starting point was rather pathetic, just taking pictures of whatever bird I could find and then trying to identify them after I got back to my computer and my book, but gradually I started to recognise some species, at least those ones which I had photographed. The amount of knowledge possessed by those people who really know about birds is remarkable, and would take decades to replicate, I am always impressed by the people that can accurately differentiate between extremely similar looking birds in real time in the field  while I have a hard enough time to identify them based on a picture with the full power of the internet to call upon.

As the months went by I started to build up a decent total of species photographed, reaching 50 on March 30th when I photographed a Common Crane in Vihti and 100 in late May when I saw a Skylark singing above a field near my home. As I reached the 130's and 140's at the start of the summer it started to get more difficult to find new ones... at time of writing I have reached 152 species, the latest one being a Hobby (a fairly small hawk). The Hobby was also the 150th that I had photographed in Finland (two foreigners in the list are the black legged kittiwake which I found in Norway and the alpine chough which I found at the top of the Zugspitze mountain in Germany).

Next week I will journey to the island of Utö (Finland's southern-most inhabited territory) for 7 days with my friend Mika Grönroos and during that trip I hope to both add to my species count and also to get improved pictures of some of those species I have already photographed.

I expect that my next blog post is about my Utö trip!

Andy

P.S. after Utö the next planned visits are to Lofoten area in Norway at the end of this month and then Amsterdam in the middle of next month. I expect that those trips also give me something to write about.

Images

Below are some photographs of a few of the year's 152 species...
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A golden eagle, photographed from a hide at Utajärvi on a beautiful January afternoon. The temperature was -22C, giving the eagle feathers a frosty coating.
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A blue tit looks delighted to have acquired a seed for its dinner!
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A common kestrel perches on a branch at Kopparnas in southern Finland
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A watchful goldfinch at Suomenlinna
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Two male coots engaged in a life and death struggle in a pond in Suomenoja at the start of the mating season.
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  • Hub
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    • Flow 2019
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    • a bolt from the blue 2019
    • peaceful purple pastels 2019
    • a Slovenian sunrise 2019
    • the cormorant 2019
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